Life Without Death

His picture can be found in the Guinness Book of World Records, an award Cole was granted after crossing the Sahara desert on a camel. When he was murdered by thieves in Mali during his final crossing in 2000, it took months to positively identify the body, and the killers were never found.Why did he choose to go so far and endure such hardships? That question, addressed through years of training and discipline has led to a singularly luminous oeuvre of films that have spread the name of Frank Cole across the cinematic landscape.is volume collects voices near and far offering multiple vantages to the rigorous enigma of Frank Cole. There are recollections from his diplomat father, and best friend travel author Richard Taylor. Inspired by Frank’s journey, Belgian journalist and filmmaker Ben Vandoorne set off to the Sahara to make his own award?winning movie Incha Allah and he writes about Cole as his ghost companion. The director of Switzerland’s seminal Visions du Reel documentary festival weighs in, as well as key French avant?garde theorist, Yann Beauvais. Best selling author Geoff Pevere, multiple?Genie Prize winner John Greyson, Dutch filmmaker Fred Pelon, video legend Steve Reinke, Whitney Biennial fave Julie Murray also offer their thoughts. Each of Cole’s movies were lavishly documented, and the book will draw heavily on this photographic archive, reproducing stunning desert vistas and personal encounters in both colour and black and white. The book will also contain Korbett Mathews’ award?winning documentary The Man Who Crossed the Sahara, an hour long DVD featuring clips and interviews with those who knew him best.

AUTHOR

Mike Hoolboom

Mike Hoolboom (Essay) is a Canadian film/video artist. He is the author of three books: ‘Plague Years’ (1998), ‘Fringe Film in Canada’ (2000), and ‘Practical Dreamers’ (2008). He’s a founding member of the Pleasure Dome screening collective (Toronto) and the experimental film coordinator at Canadian Filmmakers Distribution Centre (Toronto). He’s won over 30 international prizes, two lifetime achievement awards, and has enjoyed nine international retrospectives of his work. Alex MacKenzie (Interview) is a Vancouver media artist working with light projection and expanded cinema. He was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema, and The Vancouver Underground Film Festival. His live media works are presented at festivals and underground screening spaces throughout Europe and North America. He is the co-editor of ‘DAMP: Contemporary Vancouver Media Art’ (Anvil Press, 2008). Brian Ganter (Editor) is a writer, educatorand filmmaker. He is the former Media Literacy Coordinator of the Pacific Cinematheque’s Education Department (Vancouver). In addition to a variety of short film and video works, Brian also wrote and directed the 2008 feature documentary ‘Metropole’ which has screened internationally in festivals and forums in the U.S., Canada, and Europe. Brian is finishing his Ph.D. in cultural studies in the English Department at the University of Washington and teaches media and literacy studies at CapilanoUniversity in North Vancouver.

AUTHOR

Tom McSorley

Tom McSorley is the director of the Canadian Film Institute. He is a past programmer for the Montreal World Film Festival. He teaches at Carleton University and is the editor of Rivers of Time: The Films of Philip Hoffman.


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Details

Dimensions:

220 Pages
8.0in * 5.5in * 0.75in
1.1lb

Published:

May 15, 2009

Publisher:

Coach House Books

ISBN:

9780919096431

Book Subjects:

PERFORMING ARTS / Film / General

Language:

eng

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