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The Giller Prize is one of Canada’s most prestigious national literary awards. Here we take a look back at past winners and nominees to remember some of the great books that have received such high-profile attention.
Showing 1–16 of 21 results
Finalist for the 2015 Giller Prize
Finalist for the 2016 Best Translated Book Award
Like a Proust-obsessed Cormac McCarthy, Samuel Archibald’s portrait of his hometown is filled with innocent children and wild beasts, attempted murder and ritual mutilation, haunted houses and road trips to nowhere, bad men and mysterious women. Gothic, fantastical, and incandescent, filled with stories of everyday wonder and terror, longing and love, Arvida explores the line which separates memory from story, and heralds the arrival of an important new voice.
Nominated for the 2015 Giller Prize.
Nominated for the 2015 Rogers Writers’ Trust Fiction Prize.
In Russell Smith?s darkly brilliant new collection of short stories Confidence, the reader will be introduced to ecstasy-taking PhD students; financial traders desperate for husbands; owners of failing sex stores; violent and unremovable tenants; aggressive raccoons; seedy massage parlours; experimental filmmakers who record every second of their day; wives who blog insults directed at their husbands. There are cheating husbands. There are private clubs, crowded restaurants, psychiatric wards. Every character has a secret of some kind.
Longlisted for the 2013 Scotiabank Giller Prize
A sharply original debut collection, How To Get Along With Women showcases Elisabeth de Mariaffi’s keen eye and inventive voice. Infused with a close and present danger, these stories tighten the knot around power, identity, and sexuality, and draw the reader into the pivotal moments where-for better or for worse-we see ourselves for what we truly are.
“How to Get Along With Women is at once stunning and daring.”—Canada Arts Connect
“De Mariaffi’s writing is biting and captivating.”—The Book Stylist
Lemon has three mothers: a biological one she’s never met, her adopted father’s suicidal ex, and Drew, a school principal who hasn’t left the house since she was stabbed by a student. She has one deadbeat dad, one young cancer-riddled protege, and two friends, the school tramp and a depressed poet. Figuring the numbers are against her, Lemon just can’t be bothered trying to fit in. She spurns fashion, television, and even the mall. She reads Mary Wollstonecraft and gets pissed off that Jane Eyre is such a wimp. Meanwhile, the adults in her life are all mired in self-centredness, and the other kids are getting high, beating each other up in parks, and trying to outsex one another. High school is misery, a trial run for an unhappy adulthood of bloated waistlines, bad sex, contradictions, and inequities, and nothing guidance counsellor Blecher can say will convince Lemon otherwise. But making the choice to opt out of sex and violence and cancer and disappointment doesn’t mean that these things don’t find you. It will be up to Lemon if she can survive them with her usual cavalier aplomb.
Finalist for the 2015 Giller Prize
Among The National Post’s Top 5 Books of 2015
Among The Toronto Star’s Top 5 Fiction Books of 2015
Among Largehearted Boy’s Favourite Novels of 2015
One of Quill & Quire’s Books of the Year, 2015
Among The Edmonton Journal’s Top 5 Books of 2015
A 49th Shelf Book of the Year, 2015
Among NOW Toronto’s Top 10 Books of 2015
Martin John’s mam says that she is glad he is done with it. But is Martin John done with it? He says he wants it to stop, his mother wants it to stop, we all want it to stop. But is it really what Martin John wants? He had it in his mind to do it and he did it. Harm was done when he did it. Harm would continue to be done. Who will stop Martin John? Will you stop him? Should she stop him?
From Anakana Schofield, the brilliant author of the bestselling Malarky, comes a darkly comic novel circuiting through the mind, motivations and preoccupations of a character many women have experienced but few have understood quite so well. The result confirms Schofield as one of the bravest and most innovative authors at work in English today.
<p><strong>Winner of the W.O. Mitchell Book Prize</strong></p><p><strong>Winner of the 2012 Relit Award for Best Novel<br>Longlisted for the Scotiabank Giller Prize<br>Shortlisted for the Ferro-Grumley Award for LGBT Fiction<br>Shortlisted for the Alberta Literary Award for Best Fiction<br>A <i>Globe and Mail</i> Best Novel of 2011</strong></p><p>A seventeen-year-old boy, bullied and heartbroken, hangs himself. And although he felt terribly alone, his suicide changes everyone around him.</p><p>His parents are devastated. His secret boyfriend’s girlfriend is relieved. His unicorn- and virginity-obsessed classmate, Faraday, is shattered; she wishes she had made friends with him that time she sold him an Iced Cappuccino at Tim Hortons. His English teacher, mid-divorce and mid-menopause, wishes she could remember the dead student’s name, that she could care more about her students than her ex’s new girlfriend. Who happens to be her cousin. The school guidance counsellor, Walter, feels guilty – maybe he should have made an effort when the kid asked for help. Max, the principal, is worried about how it will reflect on the very Catholic school. And Walter, who’s been secretly in a relationship with Max for years, thinks that’s a little callous. He’s also tired of Max’s obsession with some sci-fi show on TV. And Max wishes Walter would lose some weight and remember to use a coaster.</p><p>And then Max meets a drag queen named Crepe Suzette. And everything changes.</p><p><i>Monoceros</i> is a masterpiece of the tragicomic; by exploring the effects of a suicide on characters outside the immediate circle, Mayr offers a dazzlingly original look at the ripple effects – both poignant and funny – of a tragedy. A tender, bold work.</p>
When Vito Santoro’s body is inadvertently unearthed by a demolition crew in Fregene, Italy, his siblings are thrown into turmoil, having been told by their sister Piera that Vito had fled to Argentina fifty years earlier after abandoning his wife and son. Piera, the self-proclaimed matriarch, locks herself in her room, refusing to speak to anyone but her Canadian nephew, David. Now scattered over three continents, the family members regroup in Italy to try to discover the truth.
Nuns that appear out of thin air, a dinner party at the Goebbels’, Quebec’s very own Margaret Thatcher, a grandma that just won’t die (not until the archangel comes back)…Songs For The Cold Of Heart is a yarn to rival the best of them, a big fat whopper of a tall tale that bounces around from provincial Rivière-du-Loup in 1919 to Nagasaki, 1990s Berlin, Rome, and beyond. This is the novel of a century?long and glorious, stuffed full of parallels, repeating motifs, and unforgettable characters?with the passion and plotting of a modern-day Tosca.
Rowan Friesen has made a career of drug dealing and small-time thievery. He lives a loners life on the outer reaches of Saskatoon, selling cystal meth to highschoolers and hawking his pilfered loot on the net. Shiftless and seemingly friendless, he is, at first glance, an unlikely and unlikable protagonist.
But as Stolen unfolds, we learn the details of Rowans life: his well-meaning but self-absorbed mother, his mentally ill father, and a high school friendship both lustful and incendiary.
Praise for Stolen:
Lapointe constructs the familiar world, the one inside each of us, in the lives of strangers. Its what fiction does best. The Globe & Mail
It moves with the force of whats right and true and must not be elided. Giller Prize Jury
Giller Prize Nominee
Winner, Saskatchewan Book Awards
Best First Book (City of Saskatoon Book Award)
Globe & Mail Top 5 First Fiction