In his recently published collection of autobiographical work
Represented Immobilized (Conundrum Press),Montreal punk legend and alternative cartoonist Rick Trembles brings together schoolyard scuffles, seedy matinees, and run-ins with inept riot cops for an unflinching look at his early years in Montreal. The book collects 40 years of autobio work from Trembles, including strips that were originally published in the influential Montreal zine Fish Piss.
Below, Trembles tells us how a midnight move from a crumbling apartment was the impetus for Represented Immobilized and what motivates his work.
All Lit Up: Can you tell us a little about your recent book?
Rick Trembles: In the mid-nineties, I had recently become roommates with someone starting up a DIY zine and they needed content so I began the series Represented Immobilized for them. It was after a midnight move away from my crumbling apartment down the street and I had to store most of my belongings in my parents' basement where I grew up while looking for a new place. While gradually bringing all my childhood belongings bit by bit back into my new digs, it started triggering memories from my past. Worried about them fading from memory as time wore on, I took the opportunity to document them in Represented Immobilized.
ALU: What do you love most about the graphic novel as a form?
RT: The fact that they're comic books in disguise.
ALU: How do you approach a project? What is your process?
RT: I'm either motivated by a need to impart some research, get something off my chest, a hankering for a good laugh, or a craving for clearing my head with stream of consciousness non sequiturs. If it's gonna be text-heavy, I write it all out in script form first via word processor, then transcribe the text into blank panels. I draw my line-art around the remaining spaces and then fill it in with colour.
ALU: Who are some of your influences? What inspires your work?
RT: Robert Crumb, Winsor McCay, Basil Wolverton, Bill Holman, Ray Harryhausen, Don Dohler, John Waters, Hans Bellmer, Lydia Lunch, Jimi Hendrix, and the list goes on. Pre-pandemic, I used to attend weekly comic jams at a local bar where Montreal cartoonists would gather to create exquisite corpses and cross-pollinate ideas. Constructive criticism from cartoonists I respect is another motivator.
ALU: Did you learn anything unexpected when working on your recent book?
RT: I was astounded by the kind words renowned Canadian author Heather O'Neill wrote about me in her sizable introduction to my book. I had no idea that I had made such an impact on her so early in her career.
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Rick Trembles is a Montreal-based illustrator, post-underground cartoonist, writer, filmmaker, and musician. Two of his Motion Picture Purgatories books have been published by the UK’s FAB Press. He’s written for Fangoria & Rue Morgue Magazine & his comix have been published in internationally distributed books, periodicals & anthologies such as Russ Kick’s “The Graphic Canon,” Robert Crumb’s “Weirdo,” Darius James’ “That’s Blaxploitation,” Thomas Waugh’s “Montreal Main,” Fantagraphics Books’ “Pictopia,” Kier-la Janisse’s Spectacular Optical “Kid Power,” “Satanic Panic,” & “Yuletide Terror,” & France’s “Hopital Brut” for Le Dernier Cri. His award winning animated film Goopy Spasms has toured the festival circuit globally. He is currently animating a series of cartoon shorts called “Building 108.” He’s been a singer-guitarist for post-punk band The American Devices since 1980. The L.A. Times has called him “A famous free thinker,” The Guardian has called him “Genius.”
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